Gustav Klimt
Gustav Klimt's Oil Paintings
Gustav Klimt Museum
1862 – 1918, An Austrian Symbolist Painter.

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Gustav Klimt
Vienna (mk20)

ID: 22413

Gustav Klimt Vienna (mk20)
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Gustav Klimt Vienna (mk20)

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Gustav Klimt

Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.  Related Paintings of Gustav Klimt :. | Orchard (mk20) | Gold Fish (mk20) | The Kiss | portratt joseph pembauer | Nuda Veritas |
Related Artists:
GOLTZIUS, Hendrick
Dutch Baroque Era Painter and Engraver, 1558-1617 Dutch draughtsman, printmaker, print publisher and painter. He was an important artist of the transitional period between the late 16th century and the early 17th, when the conception of art in the northern Netherlands was gradually changing. Goltzius was initially an exponent of Mannerism, with its strong idealization of subject and form. Together with the other two well-known Dutch Mannerists, Karel van Mander I and Cornelis Cornelisz. van Haarlem, he introduced the complex compositional schemes and exaggeratedly contorted figures of Bartholom?us Spranger to the northern Netherlands. These three artists are also supposed to have established an academy in Haarlem in the mid-1580s, but virtually nothing is known about this project. In 1590 Goltzius travelled to Italy, thereafter abandoning Spranger as a model and developing a late Renaissance style based on a broadly academic and classicizing approach. Later still, his art reflected the growing interest in naturalism that emerged in the northern Netherlands from c. 1600.
Peter Monamy
was an English marine painter who lived between 1681 and 1749. Peter Monamy was baptised at the church of St Botolph's-without-Aldgate, London, England, on 12 January 1681 (new style). He was the last known surviving child of Peter, or Pierre, Monamy, born 1650 in Guernsey, and his English wife, Dorothy Gilbert; and the grandson of Andre Monamy, 1612-1680, who had been a strongly committed Commonwealth Parliamentarian in Guernsey during the 1650s. Dorothy Gilbert was the daughter of James Gilbert, who was Master of the Worshipful Company of Gunmakers in 1670 and 1672. The Monamy family had been prominent merchants and residents of Guernsey since at least the 1560s, and in the Channel Islands since the 1530s. The painter's father, Pierre, had a brother named Andre, or Andrew, who was active in London as a merchant trader in salt and wool, during the late 17th and early 18th centuries. In December, 1696, Andrew Monamy, together with his cousin, Daniel Le Febvre, is described as "guardian" of the children of Peter (i.e. Pierre) Monamy, deceased. The elder Peter Monamy appears to have died in about 1685. On 3 September 1696, Peter Monamy, aged 15, was bound as an apprentice for seven years by indenture to William Clark, a former (1687) Master of the Worshipful Company of Painter-Stainers, one of London's ancient guilds of craftsmen. Clark is recorded in several capacities in the London of the late 17th century, as a constable and juryman, with premises in Thames Street, and on London Bridge, and practised as what would today be called an interior decorator, with a thriving business. House decoration comprised a wide range of activities, including the provision of paintings as overdoors, and on panelling, house murals on canvas as well as decorative sign-boards for trade establishments. William Clark died before January, 1704, when his will was proved.
Wilhelm Ferdinand Bendz
(March 20, 1804 - November 14, 1832), Danish genre and portrait painter, is one of the main personages associated with the Golden Age of Danish Painting. He was educated at the Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi) in Copenhagen from 1820 to 1825, winning both silver medals but never the gold prize. He studied under professor Christoffer Wilhelm Eckersberg, but may at the same time have acquired some knowledge of contemporary German painting. Today he is mainly remembered for his many technically accomplished portraits, though his ambition most of all ran towards a refined fusion of portrait, genre scene and allegorical history painting. His technical virtuosity is particularly visible in his depictions of the play of light cast from an obscured source and the resulting shadows. During his travel to Italy - which also brought him a one-year stay in Munich - he caught a sickness to the lungs and died at the age of 28 in 1832.

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